Totally Unauthorized

A side of the film industry most people never see.

It takes some getting used to

Last night was my first time going up in the condor in almost a year. Although I’m not normally too terribly afraid of heights, it does take me a bit to adjust to being in a lift after extensive periods of time spent on terra firma.

We were shooting on a Y-shaped studio lot street, so we used three condors. Mine was the lowest, armed out over the intersection, mimicking various streetlights. This had two advantages. It kept me lower, so there was less adjustment panic, and since I was a few feet below the tops of the facades, I was sheltered from the wind (spring has not yet sprung here in Los Angeles, so it’s still a bit brisk at night, especially up in the air).

The other two condors, at opposite ends of the street, were ‘full stick’ (meaning they were at full extension of 80 feet, almost straight up) and at the mercy of the wind and fog.

At least it didn’t rain, but the billowing clouds did make for some entertaining nighttime viewing:

Misty night in the air

The operators in the other two condors told me that the wind died down after about an hour, so everyone had an easy night.

Most terrifying night in a condor ever was the night I was armed out over the LA river for an elaborate car chase scene – my base was on one of the bridges and my bucket was full stick, so the distance to ground was about 200 feet. Adding to the terror spawned by an overactive imagination was a windy night and a very ‘bendy’ condor arm (some of the arms flex more than others).

At the end of the night I think I might have kissed the ground.

Filed under: camera, Photos, studio lots, up all night, Work, , , , , , , , , , ,

3 Responses

  1. Dave2 says:

    I would never make it, as I do not do well with heights. ANY heights.

  2. geekhiker says:

    I know the condors are all balanced out weight-wise, but are there wind restrictions as well?

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