Totally Unauthorized

A side of the film industry most people never see.

Time flies when you’re busy

January has been crazy (the good kind, not the drama kind). I’m getting multiple work calls almost every day, which, as I’ve mentioned before, is unheard of this time of year.

Tuesday, I missed a work call for Wednesday as I was swimming when the call came. Since I have yet to figure out how to bring my phone into the lap pool with me, by the time I dried off and got back to the locker the job had been given to someone else who called back sooner.

“Oh, well” I thought “I’ll just clean the house and hopefully I’ll get a day near the end of the week”.

Wednesday  morning at 6:45, the phone rang and the best boy from Doctors in Love* asked if I could come in right then as someone had called in sick.

Normally, I don’t like to jump out of bed, throw on whatever clothing smells the least and haul ass out the door. I like to get up, have some coffee, putter around and generally make a leisurely exit, but since Doctors in Love shoots across town (literally all the way across the city) and it’s an hour drive with no traffic,  I hurried as waiting too much past 7-ish would result in a multi hour stop-and-go nightmare.

It turned out to be an easy day (one set, two actors) with a bunch of really awesome guys. The only bad part about working with this particular group of guys is that they use a bunch of custom rigged lights, and as such have odd names for them.

Normally, there’s a bit of variation in what stuff is called (some people call a 4 foot, four tube Kino Flo a ‘fat boy’, some call it a ‘tall boy’), but it’s all basically the same.

Custom lights, however, are, well, custom, so there’s no frame of reference.

When the gaffer gets on the walkie and asks for a “Long John Silver on a teeter totter**” I have no frame of reference and stand there, halfway between the staging area and the set, blinking rapidly and wondering if I want to ask for clarification on the walkie, thus making everyone think I’m a bit slow, or wait to ask a co-worker, making the gaffer think I’m lazy.

Awesome.

It all worked out well, though (crazy light names aside), and I got picked up for the next day as well, so I got to go back today.

Today as also an easy day with fun people, even if the work was a bit more complex (multiple actors, a stage move, etc..), but I was inside a heated stage all day – a good thing since it’s currently really cold here in Los Angeles. Objectively cold, not California cold.

During lunch today, I got a text from the best boy on Reluctant Porn Star* asking if I could work Friday and Saturday. Both days on the beach, both days splits (afternoon call so the day’s half day, half night).

I predict both nights to be cold and damp (and working on the beach sucks balls), but hey, it’s work, right?

*Not a real show name

** An LED strip in an aluminum housing with the ballasts rigged to hang off of it. It looks like a penis on a surfboard.

Filed under: crack of dawn, long long drives, studio lots, Work, , , , , , , , , , , , ,

2 Responses

  1. Dave2 says:

    Now I can’t decide which show I wish was more real… “Doctors in Love” or “Reluctant Porn Star.” Both sound like total winners. Maybe we put “Reluctant Porn Star Doctors in Love” into production and call it good. Anybody got Shonda Rhimes’ number? If anybody could pull it off…

  2. A.J. says:

    Hm… Interesting. I’ve only ever heard of a “Fat Boy” being a 2ft, 4 tube Kino. (4 ft, 4 tube would be a “Fat Man.”)

    Another thing to add to the list of confusing things on a film set…

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