Totally Unauthorized

A side of the film industry most people never see.

What a difference a week makes

I’ll admit I’ve gotten a bit soft, sitting in my nice dimmer room, chair at the ready, no rain, no cold, wearing slippers on show day (when I can’t leave the board) is a possibility…

Then, the show ended, and after making a few calls, I got five days on a one hour drama which has already aired but has such tight security I’ll call it Sooper Secret.

Five days in a row is great, but after day one (call time: 5 am. Wrap time 8pm. Commute: One hour each way) I wondered how my feet were going to hold up.

The fun part was shooting on a closed bridge in the city of Long Beach.

Working on roads that are closed to traffic is fun – the surface is smooth so carts and stands don’t get stuck anywhere, and there’s enough room so that everyone can get around easily.

Working on roads that aren’t closed is scary as hell – one never knows when a driver will accidentally (or, sometimes purposely) take aim at one of the carts or crew members (I can tell you from personal experience that imported German sedan vs. cart full of HMI ballasts isn’t pretty – and there’s no clear winner), despite the presence of police officers and lots of cameras.

The bad part was the truck being approximately 500 miles away from the set – and no direct route back. So if we needed something that didn’t come up in the stakebed, it took a very long time to get it.

Lucky for us the gaffer’s not a screamer.

Tonight was mainly driving stunts, and tomorrow we blow up a car!

Filed under: hazardous, locations, long long drives, up all night, Work

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