“Someone said it might be too hot for the goat to work.”
Of course, we were shooting outdoors on what was predicted to be one of the hottest days of the year. In Griffith Park, which can be either nice and breezy or an intolerable furnace depending on one’s location.
Our first location was nice and breezy. No shade, but right in the wind so not too bad. Also, it was 7 am, and although it was getting warm, it wasn’t anywhere near scorching. Yet. All we were doing was rigging a process trailer, and then we’d leave the gaffer and one juicer to babysit while the rest of us went to rig.
Right after we got the process trailer on the road, we went to another, less breezy location and rigged tomorrow’s set, which was shady but full of yellow jackets nesting in the muddy banks of the one creek that’s still running in the park.
Halfway through lunch is when it really started to get noticeably hot. We knew this because we were sitting outside in the heat while the network suits got to sit in the air-conditioned lunch trailer. Hey, they had a table read and had to concentrate.
After lunch we moved to our final location of the day, which was the side of a road right across from a cemetery. No shade, no wind and a construction site right next door so it was hot and dusty. When I finally screwed up the courage to check the weather app on my phone, the temperature in downtown Burbank was 103.
The temperature at our roadside set? 107 – 41.666 C for those of you on metric.
That’s when the rumor started that the goat wouldn’t work because of the heat.
Which makes one wonder, if it’s too hot for a goat is to too hot for a film crew? Of course, there’s no such thing as Humane Society monitors for the health and well-being of the dirty (and today, smelly) toolbelt people.
The heat felt like opening an oven door. The fans in the truck were blowing such hot air that they felt like standing in front of a heater. Even the cooling tents equipped with giant misters that production had rented weren’t really helping once a certain heat threshold had been passed, but I have no idea what the number was. 102? 105? 106? It all melted together into hot and miserable.
I started to fantasize about diving into the ocean off McMurdo Station. In the winter.
“But Peggy”, I hear you thinking “in the winter, the ocean there is frozen so you’d just lay there on the ice and get freezer burn with the penguins.”
Fine. That would be just fucking fine. Throw me a goddamn Popsicle while I’m down there and I’ll be just ducky, thanks.
Lucky for us we didn’t have to do much lighting, so we could mostly cower in what little shade was cast by the trucks. I kept pouring water over my head to cool off and my hair would go from soaking wet to bone-dry in about two minutes. Also, for some reason, the sunblock washed off of my chin, but not the rest of my face, so now I’ve got what looks like a big red chin bindi. Or a giant pimple.
Then, right about 6 pm, on the last shot of the day when it had cooled down to a relatively brisk 102, the goat worked.
So I guess now we know at what temperature a goat can work.
I managed to get enough water in me that I kept having to pee, and took some electrolyte tablets every couple of hours so right now I don’t have that feeling like I’ve been beaten with a pillowcase full of doorknobs.
Lucky for me, I’m rigging on the stage tomorrow, so although it’ll still be hot (they don’t turn on the stage air conditioning if no one’s shooting), I’ll be out of the sun.
Filed under: hazardous, locations, Work, California, film, Griffith Park, locations, movie, nature, October, outdoors, television