Totally Unauthorized

A side of the film industry most people never see.

Wait, what happened?

I was lucky enough to get a day of work last week, and figured I’d have the check in the mail and all would be good, and then today I got a call that I can honestly say I’ve never gotten before in all my time working in the film industry.

“They” lost my start paperwork.

When one starts working on a new show, one must fill out a packet of start paperwork. It’s always the same thing. Deal memo, some sort of confidentiality agreement, which name one would like for one’s credit*, any applicable equipment rental (if one has specialized equipment for which production must pay – like a dimmer board, certain tools for installing fixtures, etc…), and the promise that one won’t sexually harass one’s coworkers. Much.

The best boy didn’t specify who lost it, but I’m assuming it was somewhere in one of the maze-like offices on the lot where, apparently, paperwork goes to die along with dreams.

So, I need to redo the impressive pile of paperwork that I originally worked my way through last week.

Paperwork

That’s one seriously tree-killing pile of redundancy, but the upside is that I’ve gotten another day of work out of it (Boss: “You’re driving up here anyways, you might as well work.”).

Hooray!

*Despite my constant efforts to get a joke name (I.P. Freely, Heywood Jablowme, Michael Bay, Prince Albert of Cannes) as my credit, it’s never happened. They always just use my real name.

Is it too much to ask that my IMDB read “sometimes credited as…”

Filed under: mishaps, Photos, Work, , , , , ,

Friday Photo

Lucky perm graffiti

A bas-relief perm graffiti, taken at Hollywood Center Stage 8.

Filed under: Photos, studio lots, Work, , , , , , , , , ,

Not getting what I want

As the TV season winds down and the work starts to dry up, I become concerned about hours.

Can I, in any given week, get enough hours to keep my health insurance (now that it’s harder to qualify), and beat what I’d make were I on unemployment.

It’s doable on two days a week, but hard on one. So, yesterday, when I went in for my only day of work this week, I checked the call sheet and was very happy to see, in the director’s slot, the name of someone who is notorious for being excruciatingly slow.

This particular director not only does too many takes, but tries to get creative with the coverage, which is almost never necessary.

The camera doesn’t need to emerge from a bowl of soup and slide past the actor’s dental implants to further the story. Trust me on this one.

It’s television. Master shot, two shot, close up. That’s all one really needs, and it’s all the editor really wants.

Normally, I just shrug and try to stay off my feet as much as possible, but with only one day this week, I was ecstatic at the possibility of a significant amount of double time.

Then, I looked at the page count and saw that we were scheduled to do just over NINE pages.

Five pages are a normal day for a TV show, so even a fast director would have a long day with nine.

My first thought was how bad my feet were going to hurt at the end of the day, but the dollar signs quickly took over.

Hey, if I’m only going to get one day, it might as well be a good one, right?

Except that the producer stayed on set and cracked the whip on said director so we were out in 12.5 hours.

Damn.

Oh, well, Maybe next week.

Filed under: Uncategorized, Work, , , , , , , , ,

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