Totally Unauthorized

A side of the film industry most people never see.

Surprise, with an aftertaste of ouch

Sometimes one is just not prepared for the day one gets.

It was supposed to be a fairly light day, work-wise, which was just what I needed because tomorrow I know I’m going to get the shit beaten out of me.

We were supposed to change some tubes, run some light cable, then go home. Maybe 6 hours.

We showed up at 7 am, but the equipment we needed to start working didn’t arrive until 10 am, due to traffic.

Fine. Maybe 8 hours.

We changed our tubes, ran the cable we needed to run and were hopeful we might still get out by lunch.

Then, surprise!

We had another set full of fluorescent fixtures that no one knew about before. So we got more tubes, and changed those fixtures.

I suppose I should mention that the standard-issue fixture for drop ceilings (aka troffer), isn’t designed to have the tubes changed very often. The whole point of installing these fixtures is the lack of maintenance needed.

Stick them in the ceiling, and forget they were ever there. They should last for years.

Unless you rent out your space for shoots – then we have to change out the tubes for color balanced ones, which involves wrenching open the bottom of the fixture (the delicate plastic part), wrestling out the tubes by twisting them and swearing, breaking some of the tiny parts that aren’t that fucking important anyways because I have to do 100 more of these fucking things, shoving in tubes that are just a micron too long, so there’s more shoving and swearing and sweating and 20 years of dust from the fixture falls everywhere – which is really bad if you wear a bra, because guess where that dust likes to land?

You haven’t lived until you’ve stood in the shower and tried to scrub off a combo of asbestos* dust and sweat.

But we got it all done, albeit a bit later than we’d originally intended.

Then, we got the call.

Something, somewhere, had changed.

We had to go back to all the fixtures and change the tubes for a different color.

Dammit.

I’d just used up all my baby wipes scraping off the asbestos. Now I was going to get covered in it again and itch all the way home in rain traffic.

The rain isn’t predicted until midnight, but the mere mention of water falling from the sky is enough to send the entire city into a blind panic.

All of us were hoping to be home before said panic.

Alas, it was not to be and I spent 1.5 hours crawling home on a route that should have taken me 20 minutes.

Thanks, rain.

I’ll be standing outside all day tomorrow.

 

 

*If you’re in an office building built before the era of ‘holy shit this causes cancer’, look up. See those white tiles on the ceiling? They’re not the asbestos (maybe). The asbestos is the weird popcorn looking stuff that’s sprayed everywhere between those tiles and the actual ceiling. Calm down, it’s not going to get to you. Unless you’ve rented out the building to a movie, and the riggers came in and changed the tubes. If that happened, your lungs are fucked – but it’s okay, you won’t have any issues until you’re old and decrepit and too old to care. Or so I’m told. Excuse me while I cough. It’s totally unrelated.

 

 

Filed under: crack of dawn, cranky, hazardous, locations, movies, toxic waste, Work, , , , , , , , , , , ,

Wow, things got busy!

There I was, expecting the usual not-so-busy December, and out of nowhere suddenly work is going gangbusters. Not that it’s a bad thing, it’s just… unexpected.

I’m bouncing back and forth between two shows crewed by awesome folks that I love to work with – a one-hour ensemble drama (let’s call it Been Done Before) and Yet Another Cop Show.

The two have been syncing up nicely. This week, I have four days rigging on Been Done Before, and Friday working the set on Yet Another Cop Show.

Since BDB is rigging, the hours are shorter (normally not over 10 hours), except today which was a bit longer because we had to rig at the world’s smallest loft.  Had we a cat handy, there wouldn’t have been room to swing it. Seeing a largish production trying to cram a crew into the space was probably hilarious, but I’ve very glad I didn’t have to work the set.

After helping the shooting crew move to the loft (the day’s second location), we went back to wrap our first location at the old LA Times building.  We were shooting in the currently unused Chandler-era executive offices on the top floor in a room called the Round Table – which features, unsurprisingly, a big round table. You’ve seen it in about a bazillion movies.

I really do believe that being honest (within reason) is the best way to live one’s life, but I have to tell you all – had there been a way for me to sneak the original Paul Horiuchi painting out of the building, I’d have done it. It’s just hanging on the wall in an empty office, making no one happy instead of inspiring joy and general well-being, which is a painting’s job.

Oh, well.

Once we’d gotten the shooting crew moved and wrapped, it was right in the middle of rush hour, so a co-worker and I went and had some Pho at a place around the corner from the Times building. Hot noodle soup is perfect on a cold night.

By the time we finished eating, the traffic had died down enough for me to venture onto the freeway towards home.

Tomorrow, we’re wrapping the world’s smallest loft, which shouldn’t take very long, and then Friday, it’ll be a split on YACS.

Five days this week! Yay!!!

Filed under: locations, Work, , , , , , ,

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