Totally Unauthorized

A side of the film industry most people never see.

My phone explodes!

Normally, May and June are slow months. The television shows are on hiatus, the pilots are done, and any movies left in town are already crewed or haven’t started yet.

Movies – especially the ones that shoot in the desert – like to wait until it’s really super fucking hot to start principal photography.

So, just like January, I curtail my spending as much as possible, and use the time to complete some projects around the house, reorganize the dresser drawers, brush the cat, sell unwanted stuff on eBay, etc..

But this May has been different. Not only have I been working pretty consistently, I’m getting calls for multiple jobs the same day at least once a week.

It’s freaky. Not bad, mind you, but not expected.

Of course, I’m answering ‘yes’ to every call I can.

Sadly, this means I’ve had some very short turnarounds the past few days, as minimum ‘off’ time rules don’t apply when one is moving from one show to another.

Tomorrow, my call is 11 am – an hour drive from my place, which means I’ll work until 11 pm and be home by midnight – at the earliest , and then I have an 8 am call on another show Friday morning.

It’s all wonderful – work while it’s available and rest later.

Filed under: crack of dawn, locations, long long drives, Work, , , , , , ,

Crosstown drives and short turnaround

Tuesday, I had a last-minute call on Been Done Before – with a mid-rush hour start time all the way across town (of course), which meant I had to leave home extra early and still stressed out the whole time I sat on the freeway, not moving. Awesome.

They called wrap around 8 pm, and we had to load our truck and then find a van to take us back to crew parking. I got home around 9 pm, and I had a 6:30 am call all the way across town (in the other direction) this morning for a rigging call on Yet Another Cop Show. Why is it that when I come in rested we have an eight-hour day, but when I haven’t gotten any sleep the night before we go long?

Today, we were shooting on an $18 million yacht. No, that’s not a typo. A lovely sweep of fiberglass that you, my friends, can charter for a measly for 75 grand per week (including fuel and crew), and television shows can shoot on (for an undisclosed sum, of course).

After putting those paper shoe covers on so that our dirty toolbelt feet wouldn’t soil the white carpet or mar the marble flooring, we were allowed in.

Since it’s a bad, bad idea for the boat’s engines to be running while we’re shooting, we had to run power to said boat. Since the entire planet has apparently decided that boats need 480 volts of power we had to get two generators – one for the boat power, and one for our 120 volt power.

Do I need to tell anyone that plugging anything that’s normally 120 into 480 is going to result in a hilarious and expensive explosion?

Once we got the boat powered, we set up our balloon light on a barge (since they wanted the balloon to be right out in the middle of the harbor), and then got off work just in time to hit the rush hour traffic going home.

Barge Balloon

I’m off again tomorrow, which is good because I’m still coughing.

Filed under: crack of dawn, locations, long long drives, movies, Photos, Work, , , , , ,

February 2020
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"If people wanted you to write warmly about them, they should have behaved better." -Anne Lamott

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