The wooden wedges under the dolly track are to keep the track perfectly smooth and level – you’d be surprised how many bumps and craters there are in any supposedly level ground.
Since movie cameras don’t have image stabilization, even the slightest little divot in the track, on screen, will look like the camera operator got picked up and shaken mid-dolly move.
My call today is noon, which means I’m not getting home until well past midnight (the split: half day, half night. Also known as “Fuck You Friday”. You wanna have a weekend? Afternoon call. Fuck you). As long as I get home before the Friday night drunk drivers descend on my neighborhood, I’m fine. A couple of weeks ago there was a three a.m. drunken drag race right in front of my house. Ah, Hollywood…
I’ve almost got enough hours to make sure that I keep my health insurance in the event of another protracted work stoppage. Yay!
Filed under: locations, Photos, Work, camera, dolly, dolly track, photo, set, warehouse
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