Totally Unauthorized

A side of the film industry most people never see.

Peter, meet Paul. He’ll be paying you. Maybe.

At the start of this show, we were told that we’d have no swing sets. Ever. For any reason. So, of course, for our last episode, we have four really big swing sets. Since our stage is 200 feet long by 100 feet wide, and it’s 44.5 feet from the floor to the perms, we’ve had some problems with power. Not that we haven’t got power available, it’s just the cable – or lack thereof.

The head of the waterfall (the cable that comes up from the dimmer packs on the floor to the perms) is at one end of the stage, and our swing sets are at the other.

So that’s  40ish feet up the perms, and then 5ish feet to the ‘head’ of the waterfall, and then 2 pieces of 100 foot cable to get to the new set that’s on the other side of the stage long-ways, and then another 30ish feet of cable down to the pipe grid where the lights are.

The thing about powering lights is that you can’t ever have a cable connection in the air – you can have one on the deck of the perms or at the light itself, but nothing in between.

Why? Because if something is going to go wrong, it’s going to happen at the connector and if that connector is 10 feet above the lights we can’t get to it without really making a spectacle of ourselves, and no one wants that. So, if I can’t get to the grid with what I have leftover, I have to add cable.

We don’t have any more cable, and because of the budget crackdown, we can’t order more.

Even if we could, getting cable up to the perms is an ordeal – we have to rent the winch from the lamp dock, have the grips go out into the ozone (as in off the walkways) to hang the pulley from the pick point (which is right over one of our sets), and then spend an hour or so hauling cable up to the perms. Don’t tell me we can haul it up by hand. That shit is heavy. Imagine hauling 70 lbs up a line to the roof of a two-story building. Now do it 30 more times and then work for another 12 hours.

Yeah, that’s what I thought.

So we figure out where we can steal power from the standing sets, and now we’re on the hunt for stingers because we’re out of those as well.

Only to have the DP stand in the set that’s in the shitty far away corner of the stage  and demand two more lights.  At the top of the list of things one simply can’t do is to tell the DP that he or she can’t have a light rightfuckingnow.  Even nice DPs don’t react well to the word ‘no’.

We all looked around in a panic and then figured out that the set we need the lights in won’t shoot until Friday, so we can steal power at the end of the day on Thursday.

Two more wake-ups and then we wrap. At least gravity will be working in our favour when we drop the stuff to the floor.

Filed under: rants, studio lots, Work, , , , ,

One Response

  1. We had a similar situation this week, when the DP lit a new swing set using all the lamps, stirrup hangars and gack that the Best Boy had set aside to send back to the lamp dock, and thus come in just under her weekly budget. As usual, production went ape-shit (apparently they think we use lights just to piss them off), and within minutes the UPM was on stage telling the DP to stop lighting.

    Which he did.

    This business sure as hell ain’t what it used to be…

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